The project to protect Chinese traditional arts and crafts 
 
 
 
 
Guizhou Miao Batik
 


The Batik garments produced by the Miao minority in Guizhou are among the finest traditional textiles in China. Also known as wax-resistant dyeing, the skills and techniques involved in creating eloquent batik art have been handed down through the generations since its origin in the Qin (221-206 BC) and Han (206 BC-220 AD) Dynasties.

Batik is a form of dyeing or printing folk art which involves creating different patterns through applying hot beeswax to textiles. There are four processes which must be completed before a batik garment is finished. These are waxing, dyeing, de-waxing and rinsing. Waxing involves melting the wax in a metal pot with charcoal. A specially designed knife is used as the painting tool. The blade of the knife is bent at an offset angle to hold the melted wax. Different shaped knives are used for different patterns including semicircular, triangular and axe shaped. Patterns and images are then painted on to textiles such as sackcloth, silk, cotton and wool with the melted wax. The wax-covered parts cannot absorb the dye. During the de-waxing process, the textile is soaked in warm water and then dipped in the indigo vat. It is then dried before being placed back into the dye vat. During this process, the wax hardens and starts to crack. The dye seeps into the cracks creating delicate lines called ‘ice veins. The cloth is then washed in the river and placed in boiling water to remove the remaining wax. The final procedure, rinsing, involves rinsing the textile with clean water to uncover the stunning blue and white patterns. Safflower is used to create red patterns and yellow gardenia turns the textile yellow.

Many exquisite patterns and designs can be created through batik art featuring a wide range of different motifs and subjects. These include butterflies, whirlpools, fish, birds, dragons and pear blossoms. Every image and pattern has a symbolic meaning to the artisan and Miao culture. The butterfly is regarded as the incarnation of reproduction and beauty. The whirlpool represents union and auspiciousness in the Miao culture.

The main batik garments created by the Guizhou Miao minority include scarves, bags, tablecloths, bedspreads, curtains and other decorative textiles. The simple and elegant designs reflect the distinctive culture and nature of the Miao people. Batik is commonly used for creating expressive patterns on Miao women’s clothing especially for festivals and celebrations.

According to the legend, batik art was discovered by a young girl living in a village in Guizhou. One day while dyeing her clothes, she noticed a bee had landed on her wet garments. She noticed that a wide dot was left on the cloth where the bee had been. She found that the beeswax from the bee had left a delicate pattern on her clothes.

Regarded as the foundation of ancient Chinese dyeing and weaving art, wax batik has been recognized as an important traditional Chinese folk art. Its techniques and designs have influenced many textile arts seen today and will continue to be respected and admired.

 
 
   
 

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